Author’s theory is a popular film concept that describes a filmmaker who consistently applies the same thematic and practical concepts to their work.

australian filmmaker Baz Luhrmann undoubtedly falls into this theory. When you watch a Baz Luhrmann movie, you know he directed it right away, whether you like it or not. His directing style is both unmistakable and unlike any other filmmaker working today. Each of Luhrmann’s films features a complex romantic subplot, lightning-fast editing and cinematography, and storylines that move at a pace that can only be described as breakneck. Although his signature style is polarizing for both audiences and critics, he’s still maintained it for over thirty years now since his feature film debut.

Luhrmann also clearly doesn’t make these movies as fast as he can to get a paycheck because he takes a long time to build his next project, as evidenced by the decent time gaps between his feature films. With his next big return to the big screen just around the corner, look below to see where and how you can see all of the one-of-a-kind director’s previous films. Keep in mind this will only cover feature films directed by Luhrmann and will not include any short films or TV episodes, so apologies in advance fans of Lowering.

Related: Elvis Critique: Austin Butler Can’t Save Baz Luhrmann’s Screaming Take on the King of Rock & Roll

Strictly Ballroom (1992)

The world was introduced to Baz Luhrmann through Ballroom strictlythe first of what would become an unofficial trilogy affectionately titled the “Red Curtain”.

Even in its infancy, Luhrmann’s style shines like a diamond here in a story that seems eerily reminiscent of his career. Just as Luhrmann’s unorthodox style is frowned upon by some who attribute to more traditional cinema, Ballroom strictly follows a young man on a quest to prove that his own style of ballroom dancing shouldn’t be frowned upon and condemned just for being a little different. Scott Hastings is a dancing prodigy far ahead of his time, perhaps too far ahead according to some snobby judges who view ballroom dancing as a set of strict rules that must be followed in order to succeed. After being ostracized from the dance community, Scott hones his craft with a new, inexperienced partner in the hopes that they can both show people the positive aspects of their unique dance.


The end product is a heartwarming dance film that shows that dance, like any other art form, is not just a concept open to interpretation, but also something that can be both meaningful and entertaining.

Romeo + Juliet (1996)

Luhrmann will eventually thrive in the realm of period pieces with a modern twist, but in the case of Romeo + Juliethe made a modern film with a touch of a period piece.

The story is the same as william shakespeare a play you probably read in school, where two star-crossed lovers from rival families embark on a love affair that is doomed to a tragic end. The twist comes with the setting. Instead of Verona being a historic Italian Renaissance city, it’s a bustling suburb of today’s Los Angeles. Along with the change of scenery, the dialogue remains exactly the same as in the Bard’s masterpiece, with the characters all speaking in the iconic iambic pentameter that has remained relevant for generations.


Although it’s set in a completely different time period and has action sequences and explosive songs straight out of the 90s, Romeo + Juliet was hailed by critics and literary pundits as one of the most faithful adaptations of the most adapted story to ever hit the screen.

Red Mill! (2001)

The Red Curtain Trilogy ends with Red Mill!which is arguably Luhrmann’s best known and most critically acclaimed image.

Ewan McGregor stars as a struggling writer in late 1800s Paris, where he meets Satine, played by Nicole Kidman, a courtesan whose dream is to become a professional actress. Things get complicated when a jealous but wealthy duke enters the equation, and a rift between the budding romance is created. Although it takes place long before the rise of contemporary music, Red Mill! is a musical jukebox that incorporates covers of songs by musicians like Elton John and Nirvana. They never feel like songs that just got started, because most of them have complete relevance to what’s going on in the plot, with the Roxanne’s Tango sequence being a particular dramatic star.


It was at this point that Luhrmann was finally recognized as a true star in the movie world, and the total of eight Oscar nominations the film received is truly proof of that.

Australia (2008)

With the resounding success of Red Mill!Luhrmann’s next feature would be a love letter to his home country set in one of the most tumultuous times in world history.

Australia follows a chic and proper English woman traveling in the titular country, where she meets a local who shows her how different it is compared to the UK. Soon after, an attack by Imperial Japan makes the country a participant in World War II, and the two’s romance is put to the ultimate test. At almost three hours, it’s an epic in every sense of the word, but it’s an experience worth having for history buffs and serial romantics alike.

It’s not often that we get many WWII-focused movies from an Australian perspective, so it’s a great choice for those looking for a different kind of period piece.

The Great Gatsby (2013)

Another story that almost every high school student must have read, Gatsby the magnificent is known to many as one of the best encapsulations of 1920s America’s glitz and glamor attitude, and Luhrmann composes this glitz and glamor at eleven.

Luhrmann reconnects with Leonardo DiCaprio for the first time since Romeo + Juliet, where he brings to life Jay Gatsby, an absurdly wealthy millionaire whose life and story are shrouded in mystery. A young writer meets Gatsby and begins to learn his story, much of which is that Gatsby desperately wants to be with his former love who has since remarried a brutal bureaucrat.

The huge reliance on CGI and special effects for a seemingly simple story and premise may be a turn off for some, but it’s hard to deny the larger-than-life personality Baz Luhrmann has given New York from years 1920.

After nearly a decade, Baz Luhrmann is finally back, and his latest project may turn out to be his biggest and most ambitious project to date.

This time he faces the “King of Rock and Roll” himself, Elvis Presley, detailing her incredible life story from start to finish. Fans of the world-renowned musician have been begging for a biopic to do him justice, and if early reviews are to be believed, this may be the movie to finally tell the story right, and maybe even revive a career for an iconic director. .

Elvis now playing in theaters.